Music Faculty

craig-bove-1aCRAIG BOVE
Composer/performer Craig Bove earned his undergraduate degree at Northwestern’s School of Music and completed his formal training with a PhD at SUNY Buffalo, studying under such New Music luminaries as Morton Feldman, LeJaren Hiller, Donald Erb, and Bernard Rands. His compositions have been performed throughout the country in both live performances and radio broadcasts. He has served as the conductor of CPCC Opera Theater pit orchestra and has performed, conducted and presided over concerts of new and standard repertoire including performances at the Weill Recital Hall at Carnegie Hall in New York, the BOCA Art Center in New York, KPFA Radio in San Francisco, and NPR Radio affiliates in New York, Vermont and California. The Charlotte Symphony Orchestra has in 2015 premiered “Twenty Years Gone” for orchestra.

Bove’s own music has evolved from repetition and overlapping of cycles of events at various structural levels into what now could be described broadly as a pairing of poetic and prosaic, regularly and irregularly recurring events and the rigorously controlled and the freely conceived. His most recent works have taken as their sources the model of a perpetually evolving psychological narrative as an associate/guide to the persistence of nascent sound. He has written for orchestra, various combinations of chamber groups, and vocal ensembles.
At CPCC, Bove teaches music theory, music history, composition and is a member of the Out Of Bounds Ensemble for New Music. He also serves as chair for the music department.
 REBECCA COOK-CARTER
Rebecca Cook-Carter is a native of Chattanooga, Tennessee. She received her Bachelor of Music Degree in Vocal Performance from the University of Tennessee at Chattanooga and her Master of Music Degree in Vocal Performance from Indiana University at Bloomington, where she studied with the renowned teacher, Margaret Harshaw. After graduating Rebecca spent the next five years at the San Francisco Opera, where she participated in the Merola Opera Program, won the 1978 San Francisco Opera Grand Finals, and apprenticed in the San Francisco Opera/Affiliate Artists Program (currently known as Adler Fellows). During this time Rebecca sang many roles both leading and secondary. Her apprenticeship in San Francisco culminated with her performances as Micaela in Jean-Pierre Ponnelle’s production of CARMEN and as a substitute for an ailing Monserrat Caballe as Amelia in UN BALLO IN MASCHERA. In 1981 Rebecca was also a National Finalist in the Metropolitan Opera Auditions.
As a lyric spinto soprano, Rebecca has sung leading roles in major opera companies in America and Europe, such as Zurich Opera, San Francisco Opera, Nationaltheater Mannheim, Portland Opera, Basel Opera, Hawaii Opera, Hamburg Opera, Miami Opera and many others. Rebecca has also returned to her hometown of Chattanooga on many occasions to perform with their symphony and opera company. As a result she was proclaimed a ‘Distinguished Citizen’ of Chattanooga.
Rebecca returned from Europe, where she lived for ten years, with her family to Charlotte, North Carolina. Along with performing, Rebecca also directs the CPCC Opera Theatre, where she has developed a thriving operatic training program. As a result, Rebecca has the unique privilege of performing and also sharing her knowledge and expertise. Her most challenging, yet rewarding role has been that of wife to Ellis, and mother to Austin and Kayla.

ROXANNE WATSON
Roxanne Holt Watson received the Bachelor of Music Degree from the State University of New York at Potsdam, the Master of Music Degree from Indiana University, and the Doctor of Musical Arts Degree from the University of North Carolina at Greensboro. Her DMA document title is Six Chants Polonias (Sech Polnische Lieder): Liszt’s Transcriptions from Chopin’s Songs, Opus 74. Dr. Watson is the music director of the CPCC Opera Theatre. Previously Dr. Watson has taught at Wingate University and Montreat College. She has been on the board of the Charlotte Piano Teachers’ Forum and serves as an adjudicator for piano contests/festivals in North and South Carolina. She is an active soloist, accompanist, and chamber music collaborator.

HOLLY MAURER
Holly Maurer received a BA from St. Lawrence University in music and religion and the MM from The New England Conservatory in performance practice of early music. She performs regularly with Carolina Baroque of Salisbury, NC and has been a member of Carolina Pro Music of Charlotte for 15 seasons playing viola da gamba, transverse flute and recorder. She has performed extensively in the southeast and toured London with Carolina Pro Musica in 2005. Before becoming a full time faculty member of Central Piedmont Community College, she taught at Rowan Cabarrus Community College, Queens College and UNC Charlotte.

Christopher Meister holds Bachelor’s of Music in Piano Performance as well as a Masters and Ph.D. in Music Composition.
In 1984 he orchestrated the “Brescia” version of Madame Butterfly for the Opera Theatre of St. Louis and in 1986 was a nominee for the Lili Boulanger Memorial Award in Music Composition. He read an original paper “Towards a Correlation of Tonal Structure and Figural Behavior in the ‘Introduction’ to The Rite of Spring” at the New Hampshire Composers’ Conference (NHCC) in 1987; two years later his string quartet was chosen to be read through at the NHCC, and it was subsequently performed by the Apollo Quartet when they toured Ohio, Illinois and Missouri in 1991. His piano sonata was performed at the national convention of the Society of Composers International in 1992; and his paper “Convergence as a Mode of Musical Organization: Comparing Varése’s Hyperprism with Penderecki’s Polymorphia” appeared in the music theory journal ex tempore, volume VII/1 (1995).
Currently, Mr. Meister teaches class piano, music theory, and music appreciation at CPCC. He lives in Union county with his wife and daughter, both of whom have performed at Carnegie Hall. He is itching for his turn.